Viewing entries tagged
choir

MASS FOR ST. MARY’S (2008, 10 MIN.)

MASS FOR ST. MARY'S

ensemble unaccompanied choir (SSATB)
duration 10 minutes, in three movements
commissioned by Choir of St. Mary the Virgin, New York City
premiere February 2008, Robert McCormick, director
publisher Unsettlement Music
recording live recording below

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MASS FOR ST. MARY'S
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PRIVILEGE (2009, 14 MIN.)

PRIVILEGE

ensemble choir (SSATB)
duration 14 minutes, in five movements
text David Simon, from an interview by Bill Moyers; Ted Hearne; traditional Xhosa translated by Mollie Stone and Patiswa Nombona
commissioned by Volti
written fall 2009-winter 2010
premiere May 2010, San Francisco
publisher Unsettlement Music
recordings Volti, House of Voices (Innova Records, 2012)
The Esoterics, Sirene (Esoteric Records, 2013) 

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PRIVILEGE
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WE CANNOT LEAVE (from Privilege)
package of ten scores (print)

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RIPPLE (2012, 10 MIN.)

RIPPLE

ensemble mixed choir (SATB)
alternate version women's/treble choir (SSAA)
commissioned by Peninsula Women's Chorus
premiere May 2012, Palo Alto, CA
publisher Unsettlement Music
recording live performance below, 
upcoming release on Cantaloupe Music, 2017

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RIPPLE (SATB)
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RIPPLE (SSAA)
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COLORING BOOK (2015, 30 MIN.)

COLORING BOOK

ensemble vocal octet (SSAATBBB)
duration 30 minutes
written for Roomful of Teeth
commission Barlow Endowment for Music Composition
premiere October 2015, SONiC Festival, Brooklyn NY
publisher Unsettlement Music
recording coming soon

more on COLORING BOOK at tedhearne.com

 


 

Performance Materials


Coloring Book is currently exclusive to Roomful of Teeth and is not available for purchase


If you're interested in performing Coloring Book in its entirety, please contact us to license a performance. (or email us directly: orders [at] unsettlementmusic.com).

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PARTITION (2010, 20 MIN.)

PARTITION

ensemble large chorus with orchestra (3.2.3.3, 3.4.3.0, timp, 3 perc, 8.8.6.5.3)
duration 20 minutes
commissioned by Yale Glee Club
written fall 2010
premiere April 2011, Carnegie Hall, New York; Yale Glee Club and Yale Symphony, Jeffrey Douma, conductor
additional performances November 2015, Northwestern University Choir and Orchestra, Donal Nally, conductor
text from two sources: Edward Said, Parallels and Paradoxes; names of streets and businesses on a three mile stretch of road in New Haven, CT
publisher Unsettlement Music 

More on PARTITION at tedhearne.com


"Partition" cover design by Emily Weidenhof

"Partition" cover design by Emily Weidenhof

listen to the 2011 premiere performance by the Yale Glee Club and Yale Symphony Orchestra, conducted by Jeffrey Douma:

 

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PARTITION
piano/vocal score (print)


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SOUND FROM THE BENCH (2014, 40 MIN.)

SOUND FROM THE BENCH

ensemble SATB choir, two electric guitars, drums/percussion
commissioned by The Crossing and Volti
text Jena Osman
premiere May 16, 2014, San Francisco: Volti, Robert Geary, conductor
June 15, 2014, Philadelphia: The Crossing, Donald Nally, conductor
with Taylor Levine and James Moore, electric guitars, and Ron Wiltrout, drums
publisher Unsettlement Music
recording live recording available below, album coming soon from Cantaloupe Music

more on Sound from the Bench at tedhearne.com

 

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SOUND FROM THE BENCH
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