Viewing entries tagged
percussion

IS IT DIRTY (2010, 8 MIN.)

IS IT DIRTY

ensemble 2 singers with 16 instruments (flute, oboe, clarinet, bassoon, alto sax, bari sax, horn, trumpet, trombone, keyboard, elec bass guitar, drums, 2 violins, viola, cello)
alt version 2 singers + 10 instruments (flute, clarinet, elec. guitar, elec bass guitar, keyboard, drums, string quartet)
band version 2 singers + 6 instruments (cello, two keyboards, elec guitar, elec bass guitar, drums)
commission Albany Symphony Orchestra
premiere May 2010; EMPAC, Troy, NY
David Alan Miller, conductor
publisher Unsettlement Music
recording Outlanders, New Amsterdam Records (2016)

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KATRINA BALLADS (2007, 60 MIN.)

KATRINA BALLADS

ensemble 5 singers (SATTB), 11 instruments (flute, clarinet, trumpet, horn, violin, viola, cello, electric guitar, electric bass guitar, piano, drums/percussion)
duration 60 minutes
written 2006-2007, revised 2008
premiere May 28, 2007, Piccolo Spoleto Festival, Charleston SC; New Music Collective/Yes is a World, Ted Hearne, conductor
publisher Unsettlement Music
recording Katrina Ballads, New Amsterdam Records (2010)

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Katrina Ballads score design by Liberty Straney

Katrina Ballads score design by Liberty Straney

 

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THE SOURCE (2014, 65 MIN.)

THE SOURCE

ensemble 4 singers (SATB) with live electronics, 7 instruments (violin, viola, cello, electric guitar, electric bass, drums/percussion, keyboard/sampler)
duration 65 minutes
libretto Mark Doten
commissioned by Beth Morrison Projects, Judy and Allen Freedman, Justus and Helen Schlichting
premiere October 22-25, 2014, BAM Next Wave Festival (Daniel Fish, director)
publisher Unsettlement Music
recording The Source, New Amsterdam Records (2015)
 

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"The Source" score cover by Seth Gadsden

"The Source" score cover by Seth Gadsden

 

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SOUND FROM THE BENCH (2014, 40 MIN.)

SOUND FROM THE BENCH

ensemble SATB choir, two electric guitars, drums/percussion
commissioned by The Crossing and Volti
text Jena Osman
premiere May 16, 2014, San Francisco: Volti, Robert Geary, conductor
June 15, 2014, Philadelphia: The Crossing, Donald Nally, conductor
with Taylor Levine and James Moore, electric guitars, and Ron Wiltrout, drums
publisher Unsettlement Music
recording live recording available below, album coming soon from Cantaloupe Music

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ILLUMINATING THE MAZE (2008, 15 MIN.)

ILLUMINATING THE MAZE

ensemble trumpet, horn (doubling accordion or keyboard), clarinet, violin, electric guitar, piano (doubling melodica), drums, with fixed electronics
large ensemble version for flute, english horn, tenor saxophone, bassoon, trumpet, horn, trombone, piano, electric guitar, double bass, drums
duration 14 minutes, in three movements
premiere  September 2008; Your Bad Self, The Stone, New York
publisher Unsettlement Music
recording Your Bad Self: Live at the Stone

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SNOWBALL (2008, 6 MIN.)

SNOWBALL

ensemble 8 instruments: violin, bass clarinet, trumpet, trombone,
accordion, piano, electric guitar and drums
alternate version 7 instruments: bass clarinet, bassoon, trumpet, trombone, violin, double bass and percussion
duration 6 minutes
premiere September 2008, Your Bad Self;
The Stone, New York
publisher Unsettlement Music
recording Your Bad Self: Live at the Stone

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CORDAVI AND FIG (2007, 8 MIN.)

CORDAVI AND FIG

ensemble flute, oboe, clarinet, bass clarinet, horn, trombone, 2 violins, viola, cello, double bass, piano, percussion
duration 8 minutes
written March 2007
premiere April 2007, Royal Academy of Music, London; Simon Baimbridge, conductor; April 2007
publisher Unsettlement Music

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CUTEST LITTLE ARBITRAGE (2011, 12 MIN.)

CUTEST LITTLE ARBITRAGE

ensemble two alto saxophones, tenor trombone, keyboard, electric guitar and drums (with fixed electronics)
duration 12 minutes
written for Ensemble Klang
commissioned by Gaudeamus Music Festival
premiere September 11, 2011; Utrecht, The Netherlands
publisher Unsettlement Music

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RANDOS (2012, 8 MIN.)

RANDOS

ensemble 7 instruments (cl, bn, tpt, tbn, perc, vln, db)
duration 8 minutes, in three short movements
written winter 2012
commissioned by The Deviant Septet and Ensemble ACJW
premiere May 2012, Deviant Septet; Issue Project Room, Brooklyn NY
publisher Unsettlement Music

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CRISPY GENTLEMEN (2012, 15 MIN.)

CRISPY GENTLEMEN

ensemble flute/piccolo, bass clarinet, violin, viola, cello, piano, percussion
duration 15 minutes
written for Red Light New Music
premiere February 2012, Symphony Space, New York
publisher Unsettlement Music
recording Barbary Coast (New Focus Recordings, 2014)

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"THE CAGE" VARIATIONS (2014, 20 MIN.)

"THE CAGE" VARIATIONS

ensemble baritone, flute, clarinet/bass clarinet, violin, cello, piano and percussion
duration 20 minutes
commissioned by Pittsburgh New Music Ensemble
premiere July 18, 2014; City Theater, Pittsburgh
Pittsburgh New Music Ensemble, Kevin Noe, conductor
publisher Unsettlement Music

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BY-BY HUEY (2014, 10 MIN.)

BY-BY HUEY

ensemble flute, bass clarinet, violin, cello, piano and percussion
duration 10 minutes
written August 2014
written for eighth blackbird
commissioned by Carnegie Hall, and the Stuart and Maxine Frankel Foundation
premiere July 27, 2015, Great Lakes Chamber Music Festival, Detroit;
January 21, 2016, Carnegie Hall
publisher Unsettlement Music
recording Hand Eye (Cedille Records, 2016)

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BABY [AN ARGUMENT] (2016, 11 MIN.)

BABY [AN ARGUMENT]

ensemble 10 instruments: alto flute, oboe, trumpet, horn, violin, viola, cello, double bass, piano (doubling sampler), percussion (doubling sampler)
duration 11 minutes
commissioned by Carnegie Hall
written for Ensemble ACJW
premiere February 15, 2016, Weill Recital Hall at Carnegie Hall
publisher Unsettlement Music
live recording see below

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23 (2005, 8 MIN.)

23

ensemble flute, horn, piano, electric guitar, drum set
duration 8 minutes
written for New Music Collective
premiere March 2005, Redux Art Space, Charleston SC
publisher Unsettlement Music
recording New Music Collective, New Music Collective Vol. 1, 2007

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FORCEFIELD (2004, 5 MIN.)

FORCEFIELD

ensemble viola and vibraphone
duration 6 minutes
written for David Medine
premiere April 2004, David Medine and Kevin Sims, Manhattan School of Music
publisher Unsettlement Music

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GHOSTSPACE (2009, 8 MIN.)

GHOSTSPACE

ensemble piano, accordion, electric guitar, drums
written January 2009
written for New Music Collective
premiere 2011 Gaudeamus Festival, Utrecht, The Netherlands: Christian Bini, percussion; Aljosja Buijs, piano; Jean-Marc Fabiano, bayan; Paul Vos, electric guitar
publisher Unsettlement Music

notes Ghostspace is a reworking of material from my piece 359 Each Time, originally written for a quartet from Charleston's New Music Collective and premiered by members of the European Contemporary Orchestra in 2011.

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THAW (2009, 12 MIN.)

THAW

ensemble percussion quartet
duration 12 minutes
commissioned by Third Coast Percussion
premiere April 2009, Chopin Theatre, Chicago
publisher Unsettlement Music
recording *AND (Parlour Tapes, 2013)

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ONE OF US, ONE OF THEM (2005, 8 MIN.)

ONE OF US, ONE OF THEM

ensemble piano and percussion
duration 8 minutes
commissioned by Third Coast Percussion
written for Al Cerulo and Renate Rohlfing
premiere Manhattan School of Music, May 2005
publisher Unsettlement Music

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INTERLUDE FOR FINGERS (2013, 4 MIN.)

INTERLUDE FOR FINGERS

ensemble two percussion (playing vibraphones)
duration 4 minutes
written for arx duo
premiere October 2013, New Haven, CT
publisher Unsettlement Music

Interlude for Fingers is a brief and quiet piece for two vibraphones. Listen to a live performance:

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